Shown at thirty major museums in the United States and Europe.
Currently showing at the MET
You may not know Eva Zeisel yet, but you know her work.
Throwing Curves - Eva Zeisel explores the life and art of a brave & willful woman who conquered the 20th century with curvilinear style to become one of the most famous industrial designers of the modern era.
Working primarily in porcelain and ceramic table-ware, Eva Zeisel's pioneering work introduced her trademark sensuous curves to mass-production. With over 60-plus years in the field Ms. Zeisel is one of the best-selling tableware designers of all time and her highly-collectable designs have literally changed the face of modern design in the 20th century.
Throwing Curves - Eva Zeisel explores Eva Zeisel's 95-year life-journey, from her birth in Hungary in 1906 through her career working in all the hotspots of design, including Berlin in the 20s, the Soviet Union in the 30s, and New York in the 50s. The film interweaves her design work with her dramatic life-history, which includes being imprisoned in a Soviet prison, escaping the Nazis and setting up a new life as an immigrant in post-war New York City. Finally, in a testimony to one of America's earliest "super moms", the film explores the tension between modern motherhood and a career in the arts.
Throwing Curves - Eva Zeisel is a lesson in longevity and perseverance. Now 102, Eva Zeisel is still creating, and the film finishes with a look at her latest work in the new millennia.
Throwing Curves - Eva Zeisel is the first of a documentary film series that explores the lives of three 85-plus women still actively engaged in creative lives.
BUY THE DVD
"Every time I show her documentary to my students they are mesmerised! They love her perseverance and creative spirit. No doubt they also gain a great sense of respect from her pearls of wisdom and dedication to her craft. Eva is a treasure on this earth."
-- Karen Nauyokas, Design Instructor
The Art Institute of California
"One of the most revealing, eloquent and well-received films at the Sundance film festival... ambitious and emotionally deep. An affectionate portrait."
-- New York Times
In affectionately telling the personal stories of their nannies, filmmakers Jyll Johnstone and Barbara Ettinger have gone right to the heart of exploring the true meaning of family. As Ethel, the nanny from a black sharecropper family in South Carolina who cared for the six Ettinger children, states so movingly, "You don't have to birth a child to love it". Another perspective is provided by one of Martha's five Johnstone wards who asks in a confused voice, "Should I love my own mother more?"
Through interviews and recollections, photographs and home movies, songs and archival footage, this engaging documentary paints a portrait of dynamic family relationships set against the backdrop of changing American attitudes toward parenting styles, the role of women in society, race and class.
Although both well-to-do families lived in New York during the post-war baby boom years and adhered to the common practice among the affluent of hiring help, each chose a very different woman for the job. Martha, a German immigrant trained as a baby nurse, stressed cleanliness and discipline. Ethel, on the other hand, was a natural who lavished affection and listened carefully to the needs of the brood she raised.
The film is beautifully structured, using headings to introduce us alternately to each nanny and her respective family. The contrasts provide a non-judgmental framework, allowing us to make up our own minds about the childrearing choices made and the impact they had on individual lives.
Touching, intelligent and well-crafted, Martha and Ethel allows us temporarily to become part of these two families -- and in doing so, to reflect upon our own experiences and beliefs.
"The movie is touching, honest and revelatory."
-- Washington Post
"Highly personal and original, Martha & Ethel deals with a subject rarely seen onscreen before: nannies and their long-lasting influence on the children they raise. Criss-crossing the paths of the filmmakers' own nannies, a German-Catholic and a Southern black woman, this remarkable docu provides a piercing yet subtle look at the inner workings of two families as they change over five decades of American history and politics.
-- TimeOut magazine
"This lovely film also challenges our conventional notions of family. Structured like intertwined family scrapbooks... a fascinating, charming documentary... a hit at the recent Sundance Film Festival."
-- San Francisco Chronicle