Shown
at thirty major museums in the United States and Europe. Currently
showing at the MET
You
may not know Eva Zeisel yet, but you know her work.
Throwing Curves - Eva Zeisel explores the life and art
of a brave & willful woman who conquered the 20th century with
curvilinear style to become one of the most famous industrial designers
of the modern era. Working primarily in porcelain and ceramic table-ware,
Eva Zeisel's pioneering work introduced her trademark sensuous curves
to mass-production. With over 60-plus
years in the field Ms. Zeisel is one of the best-selling tableware
designers of all time and her highly-collectable designs have literally
changed the face of modern design in the 20th century.
Throwing Curves - Eva Zeisel explores Eva Zeisel's 95-year
life-journey, from her birth in Hungary in 1906 through her career
working in all the hotspots of design, including Berlin in the 20s,
the Soviet Union in the 30s, and New York in the 50s. The film interweaves
her design work with her dramatic life-history, which includes
being imprisoned in a Soviet prison, escaping the Nazis and setting
up a new life as an immigrant in post-war New York City. Finally,
in a testimony to one of America's earliest "super moms",
the film explores the tension between modern motherhood and a career
in the arts. Throwing Curves - Eva Zeisel is a lesson
in longevity and perseverance. At age 95, Eva Zeisel is still creating,
and the film finishes with a look at her latest work in the new
millennia.
Throwing Curves - Eva Zeisel is the first of a documentary
film series that explores the lives of three 85-plus women still
actively engaged in creative lives.
WATCH
THE TRAILER
Awards:
Directors Guild Nominee, Best Doc Hamptons Film Festival, Grand
Jury Prize San Fransico Film Festival
In
affectionately telling the personal stories of their nannies, filmmakers
Jyll Johnstone and Barbara Ettinger have gone right to the heart
of exploring the true meaning of family. As Ethel, the nanny from
a black sharecropper family in South Carolina who cared for the
six Ettinger children, states so movingly, You don't have to birth
a child to love it. Another perspective is provided by one of Martha's
five Johnstone wards who asks in a confused voice, Should I love
my own mother more?
Through
interviews and recollections, photographs and home movies, songs
and archival footage, this engaging documentary paints a portrait
of dynamic family relationships set against the backdrop of changing
American attitudes toward parenting styles, the role of women in
society, race and class.
Although
both well-to-do families lived in New York during the post-war baby
boom years and adhered to the common practice among the affluent
of hiring help, each chose a very different woman for the job. Martha,
a German immigrant trained as a baby nurse, stressed cleanliness
and discipline. Ethel, on the other hand, was a natural who lavished
affection and listened carefully to the needs of the brood she raised.
The
film is beautifully structured, using headings to introduce us alternately
to each nanny and her respective family. The contrasts provide a
non-judgmental framework, allowing us to make up our own minds about
the childrearing choices made and the impact they had on individual
lives.
Touching,
intelligent and well-crafted, 'Martha and Ethel' allows us temporarily
to become part of these two families -- and in doing so, to reflect
upon our own experiences and beliefs.